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May 20, 2013
| 10:26 | The Practice (8 changes | hist) . . (+3,251) . . [67.190.23.66 (8×)] | |
| 10:26 (cur | prev) . . (+1,141) . . 67.190.23.66 (wall) (→Season 6 (2002-2003): ) | ||
| 02:40 (cur | prev) . . (+883) . . 67.190.23.66 (wall) (→Season 6 (2002-2003): ) | ||
| 02:31 (cur | prev) . . (-2) . . 67.190.23.66 (wall) (→Season 5 (2001-2002): ) | ||
| 02:31 (cur | prev) . . (+853) . . 67.190.23.66 (wall) (→Season 5 (2001-2002): ) | ||
| 02:21 (cur | prev) . . (+150) . . 67.190.23.66 (wall) (→Season 5 (2001-2002): ) | ||
| 02:00 (cur | prev) . . (+52) . . 67.190.23.66 (wall) (→Season 5 (2001-2002): ) | ||
| 01:59 (cur | prev) . . (+90) . . 67.190.23.66 (wall) (→Season 5 (2001-2002): ) | ||
| 01:58 (cur | prev) . . (+84) . . 67.190.23.66 (wall) (→Season 4 (2000-2001): ) |
May 19, 2013
| 22:20 | The Practice (4 changes | hist) . . (+2,477) . . [67.190.23.66 (4×)] | |
| 22:20 (cur | prev) . . (+779) . . 67.190.23.66 (wall) (→Season 4 (2000-2001): ) | ||
| 21:54 (cur | prev) . . (+42) . . 67.190.23.66 (wall) (→Season 4 (2000-2001): ) | ||
| 21:54 (cur | prev) . . (+524) . . 67.190.23.66 (wall) (→Season 3 (1999-2000): ) | ||
| 17:20 (cur | prev) . . (+1,132) . . 67.190.23.66 (wall) (→Season 2 (1998-1999): ) |
| The Target (diff | hist) . . (+94) . . 24.115.40.166 (wall) (→Commentary: ) |
| Welcome to The Wire! on 24.115.40.166's wall (diff | hist) . . (+1,041) . . Wikia (wall | contribs) |
| Ronnie Mo (diff | hist) . . (0) . . 24.115.40.166 (wall) (→Season 3: ) |
May 18, 2013
| 14:35 | The Practice (2 changes | hist) . . (+2,138) . . [67.190.23.66 (2×)] | |
| 14:35 (cur | prev) . . (+971) . . 67.190.23.66 (wall) (→Season 1 (1997-1998): ) | ||
| 13:38 (cur | prev) . . (+1,167) . . 67.190.23.66 (wall) |
| Welcome to The Wire! on 67.190.23.66's wall (diff | hist) . . (+1,044) . . Wikia (wall | contribs) |
| Welcome to The Wire! on LoreeLengn's wall (diff | hist) . . (+932) . . Wikia (wall | contribs) |
| Australia’s indigenous art: ‘An economic colossus’ (diff | hist) . . (+4,196) . . LoreeLengn (wall | contribs) (Created page with "Aboriginal people have long found spiritual inspiration for their art. Phil Mercer explores how this tradition has become one of Australia’s most potent cultural and economi...") |